APR
27
Cel Shading
Part III
I’m going back to my Hard Light layer for this one. This is where that layer comes in handy the most I think. I’m going to be adding another color of shadow to the layer. If you don’t understand what I mean, then the picture will probably help.
I’m going to take a dark blue-ish color and actually paint it on the layer so that the deeper shadows are blue. This adds a lot of depth to the shadow and also gives the image a little more color variation to spice it up a little bit. Remember, for this I’m going to be drawing on the actual layer and NOT the mask.
Now I think that looks pretty awesome. But I just realized that there is actually one detail that I forgot, and that’s adding some “blush” to her skin color. For that I’m just going to make a new layer over her skin, and set it to multiply. Then I’m going to take a brush with opacity and fill set to pen pressure, and paint a reddish orange over some parts of the skin.
I’m going back to my Hard Light layer for this one. This is where that layer comes in handy the most I think. I’m going to be adding another color of shadow to the layer. If you don’t understand what I mean, then the picture will probably help.
I’m going to take a dark blue-ish color and actually paint it on the layer so that the deeper shadows are blue. This adds a lot of depth to the shadow and also gives the image a little more color variation to spice it up a little bit. Remember, for this I’m going to be drawing on the actual layer and NOT the mask.
Now I think that looks pretty awesome. But I just realized that there is actually one detail that I forgot, and that’s adding some “blush” to her skin color. For that I’m just going to make a new layer over her skin, and set it to multiply. Then I’m going to take a brush with opacity and fill set to pen pressure, and paint a reddish orange over some parts of the skin.
